Bespoke Stencil
Designed by Jérémie Hornus, Théo Guillard, Morgane Pambrun, Alisa Nowak, Joachim Vu
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
12 Styles
Light
Roman instance
Light Italic
Italic instance
Regular
Roman instance
Italic
Italic instance
Medium
Roman instance
Medium Italic
Italic instance
Bold
Roman instance
Bold Italic
Italic instance
Extrabold
Roman instance
Extrabold Italic
Italic instance
Variable
Roman instance
Variable Italic
Italic instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
6320
Recent views
279
Font tags
OpenType features
Story
Bespoke Sans Stencil is family of humanist sans serif fonts that look like stencil letters. Each stroke in the fonts’ letterforms breaks at the place where a writer might pause, if they were written with a broad pen. The underlying structure is similar to the Bespoke Sans fonts. The typeface’s design features large, open counterforms; these hep maximise legibility. The Bespoke Sans Stencil family includes five weights that range from Light through Bold. Each weight has an upright and an italic font on offer. The lowercase ‘a’ and ‘g’ in the upright fonts are double-storied; in the italic fonts, these become single-storied. The fonts’ numerals are proportionally-spaced oldstyle figures that harmonise especially well with the lowercase letters. Bespoke Sans Stencil is an excellent choice for use in branding, corporate communication, or editorial design. The fonts are a real team effort; they were designed by Jeremie Hornus, Theo Guillard, Morgane Pambrun, Alisa Nowak, and Joachim Vu. Together with the Bespoke Sans and Bespoke Serif families, Bespoke Sans Stencil is part of a proper Fontstore series you could call ‘the Bespoke superfamily’.
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