Back to FontsClash Grotesk
7 styles
Variable
Sans SerifIndian Type FoundryITF FFL

Clash Grotesk

Designed by Indian Type Foundry

Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.

Library

Fontshare

Publisher

Indian Type Foundry

Script

latin

Axes

1

Styles

7 Styles

Variable Yes
Axes 1
License ITF FFL
Recent views 2511

Extralight

Roman instance

Extralight

Light

Roman instance

Light

Regular

Roman instance

Regular

Medium

Roman instance

Medium

Semibold

Roman instance

Semibold

Bold

Roman instance

Bold

Variable

Roman instance

Variable

Glyphs

Character preview

Selected glyphC
FamilyClash Grotesk
C

Uppercase

26 glyphs shown

Lowercase

26 glyphs shown

Numbers

10 glyphs shown

Punctuation

26 glyphs shown

Layouts

Editorial compositions

Headline

Analyze your weakness

Editorial

All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.

Columns

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

Details

Family metadata

Date added

Mar 12, 2021

Last updated

Unknown

Family views

30859

Recent views

2511

Font tags

EditorialMagazinesReadingText

OpenType features

aaltcaseccmpdligfracligaloclordnsaltsups

Story

Clash Grotesk is a family of sans serif fonts, with a twist. While the design of the family’s six styles is generally neo-grotesk in style, one feature immediately sets it from other typefaces in that genre: Its letterforms have very small ‘apertures’. These are the openings at the edges of the counterforms; if you look at the letter ‘c’, for instance, the space between ends of the two arms on the right-hand side of the letter is very small. It almost looks as if that aperture is about to close shut. Clash Grotesk is eye catching, but its ‘design trick’ does not go overboard. The typeface is tame enough to be used in corporate identity work, while remaining exciting enough for editorial designers. The family’s weights range from Extralight through Bold; the strokes of the letterforms are optically monolinear in all of them. Except for the lighter weights, the fonts have been optimised for use at running-text sizes. Clash Grotesk’s numerals are proportional lining figures, just as tall as tops of the uppercase letters. The lowercase’s ascenders rise up to this common capital/numeral height, too. The fonts’ x-height is tall, and the counterforms inside the letters are rather large. Clash Grotesk’s lowercase ‘a’ is double-story, while its ‘g’ is single-storey. Clash Grotesk has a companion family available for use in larger sizes: Clash Grotesk Display.

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