Excon
Designed by Alisa Nowak
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
7 Styles
Thin
Roman instance
Light
Roman instance
Regular
Roman instance
Medium
Roman instance
Bold
Roman instance
Black
Roman instance
Variable
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
10443
Recent views
758
Font tags
OpenType features
Story
Alisa Nowak’s Excon is a versatile six-weight family of sans serif fonts; it is also a tribute to the work of the master French designer Roger Excoffon (1910–1983). Excon’s letters are top-heavy, a rarely-explored idea in type design Excoffon himself experimented with decades ago. He was followed in this later by a few colleagues in The Netherlands. By referencing Excoffon’s style, Excon’s design drinks from the fountain of French-style sans serifs from the 1950s and 60s. Excon is an excellent choice for corporate identity and editorial design work. The typeface’s letters include some stroke contrast – otherwise their top-heaviness would not be visible – and other typical mid-20th-century traits, like its mixing of a double-storey ‘a’ with a single-storey ‘g’. The stroke contrast is dialled-down in the family’s lightest Thin weight, but by the Black, the contrast is quite pronounced in many characters. Excon’s lowercase has a tall x-height, paired with ascenders that are noticeably taller than the capital letters. Its numerals are proportionally-spaced, and drawn to be as tall as Excon’s caps.
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