12 styles
Variable
Sans SerifIndian Type FoundryITF FFL

Plein

Designed by Inga Plönnigs

Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.

Library

Fontshare

Publisher

Indian Type Foundry

Script

latin

Axes

2

Styles

12 Styles

Variable Yes
Axes 2
License ITF FFL
Recent views 292

Light

Roman instance

Light

Light Italic

Italic instance

Light Italic

Regular

Roman instance

Regular

Italic

Italic instance

Italic

Medium

Roman instance

Medium

Medium Italic

Italic instance

Medium Italic

Bold

Roman instance

Bold

Bold Italic

Italic instance

Bold Italic

Black

Roman instance

Black

Black Italic

Italic instance

Black Italic

Variable

Roman instance

Variable

Variable Italic

Italic instance

Variable Italic

Glyphs

Character preview

Selected glyphP
FamilyPlein
P

Uppercase

26 glyphs shown

Lowercase

26 glyphs shown

Numbers

10 glyphs shown

Punctuation

26 glyphs shown

Layouts

Editorial compositions

Headline

Analyze your weakness

Editorial

All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.

Columns

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

Details

Family metadata

Date added

Mar 12, 2021

Last updated

Unknown

Family views

6368

Recent views

292

Font tags

BooksMagazinesNewspapersPoster

OpenType features

aaltcaseccmpfracligalnumloclonumordnsups

Story

Plein is a family of humanist-style sans serif fonts. The typeface’s clear and open forms are very legible and pleasant to read, too. The fonts’ letters are drawn with virtually monolinear strokes. The family has ten font styles available; there are five weights, ranging from Light to Black, and each weight has an upright and and italic font on offer. In Plein’s upright fonts, the lowercase ‘a’ and ‘g’ have double-storey forms; in the italics, these are single-storey. The stem of the ‘f’ in Plein’s italics descends below the baseline. The default numerals in the fonts are proportional oldstyle figures. Lining figures are also available, via an OpenType feature. The fonts also include case-sensitive punctuation, which can be substituted into all-caps text. Humanist sans serif typefaces are used in a wide variety of design projects today. Therefore, Plein is an excellent choice for work in branding and corporate design, but you could also use it to set texts of medium length in editorial design work. It might even be worth trying it out on signage and in navigation design projects. Plein comes from Inga Plönnigs, an independent type designer in Berlin and a graduate of the Type & Media program at the Royal Academy of Art (KABK) in The Hague.

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