Supreme
Designed by Jérémie Hornus, Ilya Naumoff
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
16 Styles
Thin
Roman instance
Thin Italic
Italic instance
Extralight
Roman instance
Extralight Italic
Italic instance
Light
Roman instance
Light Italic
Italic instance
Regular
Roman instance
Italic
Italic instance
Medium
Roman instance
Medium Italic
Italic instance
Bold
Roman instance
Bold Italic
Italic instance
Extrabold
Roman instance
Extrabold Italic
Italic instance
Variable
Roman instance
Variable Italic
Italic instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
17424
Recent views
1201
Font tags
OpenType features
Story
Supreme is a large family of constructed-style sans serif fonts. These fonts feature forms that look like those that have been favored by engineers for over a century. Their letters are straight-sided, and the strokes that make them up are monolinear. The Supreme family includes 14 members. Seven of these fonts are italics, although these italic fonts should really be called ‘obliques,’ as the letters are slanted versions of what you’ll find in the upright fonts. The family’s weights range from Extralight through Extrabold. The x-height is moderate, so the ascenders and the descenders are quite prominent. The ascenders rise above the capital letters and the numerals – both of which share the same height. Each font uses a double-storey ‘a’ and single-storey ‘g’. Years ago, fonts like Supreme were primarily used to brand firms in engineering and tech. Recently, however, they have become increasingly popular solutions for setting text on screen. The Regular weight of this family would be excellent for setting body copy either on screen or in print. The other weights can be used for text sizes, too, but will function even better when used large. Supreme was designed by Jeremie Hornus and Ilya Naumoff.
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