Synonym
Designed by Hugo Dumont
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
7 Styles
Extralight
Roman instance
Light
Roman instance
Regular
Roman instance
Medium
Roman instance
Semibold
Roman instance
Bold
Roman instance
Variable
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
5605
Recent views
312
Font tags
OpenType features
Story
Synonym is a family of six humanist sans serif fonts. The typeface is perfect for use in Branding and in Editorial Design projects – anywhere you need a sans that combines personality with clear, open, and instantly legible forms. Synonym’s letterforms are not as monolinear as those found in many other humanist sans serif designs. The stroke contrast in Synonym is particularly visible in the lowercase ‘a’. Like the fonts’ lowercase ‘g’, this letter is double-storied in all of the family’s weights. Several of the strokes in Synonym’s letterforms terminate in diagonals, rather than with horizontal or vertical cuts, such as the arms of the ‘E’, ‘F’, ‘L’, and ‘T’, the tops of the ascenders in the lowercase, and the in-strokes of ‘m’, ’n’, ‘r’, ‘t’, and ‘u’. The lowercase letters’ x-height is moderately positioned in relation to the capital letters, and the fonts’ ascenders rise up above the tops of the uppercase letters. The fonts’ numerals are lining – making them as tall of the capital letters – but they are proportionally-spaced, with the ‘1’ and the ‘7’, for instance, being narrower than the ‘0’ or ‘8’. Synonym is the work of Hugo Dumont, a type designer based in Paris.
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