Array
Designed by Frode Helland
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
6 Styles
Wide
Roman instance
Regular
Roman instance
Semibold
Roman instance
Semibold Wide
Roman instance
Bold Wide
Roman instance
Bold
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
4526
Recent views
268
Font tags
OpenType features
Story
Array is a small family of electronic display style fonts. All of the design’s letterforms are made up of dots on a grid. The capital letters in each of the fonts are 10 dots tall. Lowercase letters like the “a”, which does not have an ascender or descender, are eight dots tall. Ascending lowercase letters are one dot taller than the capitals, so the “b” and “d” are 11 dots high. Descending letters like the “j” and the “g” have two dots that drop below the baseline. There are some characters, such as the Euro currency symbol, which dip below the baseline in order to accommodate all of the necessary “parts” on the Array grid, too. As a family, Array has a total of six fonts on offer. There are three “weights”: Regular, Medium, and Bold. The dots are the same size in each. As the weight of the family increases, the letterforms simply get wider. For example, as you move from Regular to Medium to Bold, the widths of the letters’ stems increase: the stems of Array’s Regular letters are two dots wide, while the Medium stems have three dots, and the Bold four. Each of the family’s weights has two “widths” available: normal and wide. Most of the widths of the letterforms in the three wide fonts are similar to those from the normal fonts, but with added space on their sides. The total width of the text that is wider in the Array Wide fonts, rather than the shapes of all letterforms themselves. Some characters are spaced and kerned differently in Array Wide, however, such as the “v”. Array was developed for Fontstore by Frode Helland, a Norwegian designer with several typefaces in our collection. The family is ideal for use in experimental graphic design. Its fonts could also be used on actual electronic displays, as well as in print or online editorial projects, especially in places where the fonts may be used in large sizes.
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