Bevellier
Designed by Arya Purohit, Barbara Bigosinska
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
18 Styles
Thin
Roman instance
Thin Italic
Italic instance
Extralight
Roman instance
Extralight Italic
Italic instance
Light
Roman instance
Light Italic
Italic instance
Regular
Roman instance
Italic
Italic instance
Medium
Roman instance
Medium Italic
Italic instance
Semibold
Roman instance
Semibold Italic
Italic instance
Bold
Roman instance
Bold Italic
Italic instance
Black
Roman instance
Black Italic
Italic instance
Variable
Roman instance
Variable Italic
Italic instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
5764
Recent views
337
Font tags
OpenType features
Story
Bevellier is a family of condensed and simplified sans serif fonts. The the most immediately-noticeable characteristics of the typeface are its narrow letters at its rounded-off corners. Formal reduction also plays a strong role in Bevellier’s design. Its simplicity is visible in letters like the lowercase ’t’, where the crossbar does not go across the letter’s entire vertical stroke. Bevellier’s letters are also ‘spurless’; you can see this feature on the top-left corners of letters like ‘m’, ‘n’, and ‘r’. Normally, the letters’ vertical strokes would peak up above the left-hand sides of those letters’ arches, but the ‘spurs’ have been eliminated here. The Bevellier family includes eight weights, which range from Extralight to Black. Each weight has two fonts on offer: an upright and an italic. Just like Bevellier’s upright fonts, Bevellier’s italics are spurless. However, the italic letterforms are more symmetrical than the upright letters. The parts of Bevellier’s upright letterforms that have missing ‘spurs’ are angular; in the italics, they are curved. The strokes of Bevellier’s letterforms all appear to be monolinear. but that doesn’t mean Bevellier is without contrast. Thanks to the family’s large number of weights – eight really is a lot – you can combine two or more of them with each other to create headlines that exhibit quite a bit of contrast! Bevellier’s lowercase letters have a very tall x-height. The fonts’ short ascenders rise to the same height as the tops of the capital letters. The fonts’ numerals are proportional lining figures; in terms of size, they are lower than Bevellier’s uppercase, but still taller than the lowercase letters. Bevellier’s friendly and somewhat technical look makes it an ideal choice for use in branding, editorial design, and poster design.
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