Kohinoor Zerone
Designed by Satya Rajpurohit
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
2 Styles
One
Roman instance
Zero
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 13, 2022
Last updated
Unknown
Family views
727
Recent views
197
Font tags
OpenType features
Story
Kohinoor One is the world’s thinnest font ever produced. The strokes of its glyphs are just one-unit thick. As far as we’re aware, that makes Kohinoor One the thinnest retail (or open-source) font currently available in the market (indeed. there are fonts available elsewhere with strokes that are four or even two units wide). Kohinoor One is an addition to Kohinoor Multiscript – ITF’s oldest superfamily. As a series of fonts, Kohinoor was designed in a humanist sans serif style suitable for body text and display text, too. It is an all-around typeface for graphic designers, software engineers, and branding specialists. Thanks to its clear appearance, Kohinoor is easy to work with and inviting to read. Begun with the goal of supporting all of the major Indian languages while harmoniously translating a single design aesthetic across each writing system, Kohinoor Multiscript currently supports over 150 languages that are spoken natively by 3.5 billion people. The superfamily is an ideal choice for text-heavy multilingual projects, including those from the areas of corporate design, electronic-embedding in apps, navigation or signage systems, print publications, product instruction manuals, and television subtitling. Kohinoor Zero is a base for designers to make their own creative digital lettering. You decide yourself what kind of outline to apply to the skeleton of the letters. The concept was to offer designers a font whose glyphs were just single strokes. Yet, it is impossible to export single strokes from a font editor and install that as a font in your operating system. Many designers already draw single-stroke lettering in applications like Illustrator and then space and kern the letters in that lettering themselves. But as a workflow that is slow and not ideal. At ITF, we came up with a work-around. We “temporarily” closed the counters of all the letters by a straight line and aligned these nodes as the same place under the baseline. Because that resulted in closed-shape forms, we could export those outlines as a proper OpenType font. To work with Kohinoor Zero, you first need to set text in an app like InDesign or Illustrator. Then, you convert that text into outlines. Finally, you must delete all the nodes below the descender line. That leaves you with simple outlines. Remove the fill color and apply the stroke, brush, or outline of your choice. Satya Rajpurohit began developing Kohinoor Zerone more than a dozen years ago. He first presented the idea at TypeCon 2010 in Los Angeles.
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