Kola
Designed by Jean-Baptiste Morizot
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
1 Style
Regular
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
3622
Recent views
208
Font tags
OpenType features
Story
Kola is a technoid stencil-style sans serif font. All of the stroke endings in Kola’s glyphs are rounded, and the overall effect of Paris-based type designer Jean-Baptiste Morizot’s stencilling is a bit reminiscent of the kind of lettering used on LED displays. Kola’s lowercase letters have a large x-height, and the ascenders rise up to the same height as the tops of the font’s capital letters and numbers. Despite the x-height being tall, Kola’s diacritical marks are still huge. They tower above the ascenders, capital letters, and numbers, and are very legible and identifiable, even when the font is used in small sizes. In terms of proportion, Kola looks a bit like a contemporary condensed-style sans serif typeface. Many letters in the font have designs that are reduced; the ‘n’ for instance, is almost geometric. The capital ‘I’ and ‘J’ have contrasting designs so that they are easy to tell apart. The dynamic-placement of the stencil-bridges is particularly novel in Kola’s ‘K’, ‘j’, and ‘r’. The tail of Kola’s ‘Q’ is a completely-vertical stroke. Counterforms inside of the letters are large and easy to recognise. Although the lowercase ‘a’ is double-storied, the ‘g’ is single-storey. Because of its stencil treatment, Kola is best used in large sizes. It is an optimal selection for logo design, or for use on concert posters.
Related fonts