Segment
Designed by Frode Helland
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
1 Style
Regular
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
2513
Recent views
114
Font tags
OpenType features
Story
Segment is an LCD-style display font from Frode Helland, an Oslo based designer. True to its name, all of the letterforms in the font are constructed out of segments. This is a perfect choice for use in poster design, as well as for identity work for small businesses inside of cities with good public transit systems. The font would also work well in headlines for articles that touch on digital subjects. Despite the late-twentieth century technology whose style this font is based on, Segment’s design language is actually older and more eclectic. To begin with, for an experimental display font, Segment is most unusual because its letters have serifs. Its old-fashioned style is also particularly apparent in the top-half of the “7”, which approximates a wavy horizontal stroke, as well as on the bottom of the “2” and in the Pound Sterling currency symbol. The capital “R” has a long, sweeping diagonal tail. As you would expect from a classic electronic display font, Segment’s characters are monospaced. All of its glyphs share a common width. The font is also caps-only; the lowercase slots are filled with duplicates of the uppercase letters. None of the base letters like “J” or “Q” have descenders, but the design leaves ample room above and below for the diacritic marks required by various European languages. There are five glyphs in Segment representing the base grids on which either all, or some, of the “segments” in the font have been designed. The character set also contains over a dozen different currency symbols and two OpenType Stylistic Sets, which each offer alternate forms for the font’s range of punctuation marks.
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