Bespoke Serif
Designed by Jeremie Hornus, Theo Guillard, Morgane Pambrun, Alisa Nowak, Joachim Vu
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
12 Styles
Light
Roman instance
Light Italic
Italic instance
Regular
Roman instance
Italic
Italic instance
Medium
Roman instance
Medium Italic
Italic instance
Bold
Roman instance
Bold Italic
Italic instance
Extrabold
Roman instance
Extrabold Italic
Italic instance
Variable
Roman instance
Variable Italic
Italic instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
12450
Recent views
886
Font tags
OpenType features
Story
Bespoke Serif is family of serif fonts intended for use in text sizes: this is a typeface designed for reading. The serifs at the end of the letterforms’ strokes are wedge-shaped. The letterforms themselves feature large and open counterforms, which help maximise the typeface’s legibility. The family includes five weights, ranging from Light through Bold. Each weight has an upright and an italic font on offer. While the characters in the italic fonts are not simply slanted (or oblique) versions of the upright ones, Bespoke Serif’s italic is not entirely cursivised. The lowercase ‘a’ and ‘g’ change the most visibly between the uprights and italics. Their upright forms are double-storied, but in the italic, they become single-storied. The fonts’ numerals are proportionally-spaced oldstyle figures, which harmonise especially well with lowercase letters. Together with Bespoke Sans and Bespoke Sans Stencil, the Bespoke Serif fonts form a proper series that you could call ‘the Bespoke superfamily.’ This is an excellent choice for use in branding, corporate communication, or editorial design. It will get messages across quickly. The fonts in the Bespoke superfamily are a real team effort; they were designed by Jeremie Hornus, Theo Guillard, Morgane Pambrun, Alisa Nowak, and Joachim Vu.
Related fonts