Gambarino
Designed by Théo Guillard
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
1 Style
Regular
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
10407
Recent views
712
Font tags
OpenType features
Story
Gambarino is a condensed, single-weight serif face for headlines. The font is designed by Théo Guillard. Stylistically, you could call it a post-modern interpretation of the Garalde genre. Gambarino is different enough from most serif typefaces designed for text that you could combine it with another Garalde easily; that other font would set the body text, while Gambarino would shine in the headlines. Gambarino’s serifs are exquisitely fine; they are paired with teardrop terminals, such as on the ‘a’, ‘f’, and ‘y’. The capital letters are top-heavy; the bowls and counterforms in the upper portions of each letter are larger than the lower ones. This is visible, especially, in the letters ‘B’, ‘E’, ‘F’, ‘P’, and ‘R’. The trait is not quite carried on into the lowercase, but the design of the ‘a’ really harmonises with these unique capital letters anyway. Gambarino’s lowercase features a tall x-height, and what can only be described as ‘microscopic’ descenders. The descenders are all much shorter than the font’s ascenders, and this is visible everywhere except in the ‘g’, which employs a great trick in its design to keep the sizes of its two bowls balanced.
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