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1 styles
Serif
SerifIndian Type FoundryITF FFL

Gambarino

Designed by Théo Guillard

Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.

Library

Fontshare

Publisher

Indian Type Foundry

Script

latin

Axes

0

Styles

1 Style

Variable No
Axes 0
License ITF FFL
Recent views 712

Regular

Roman instance

Regular

Glyphs

Character preview

Selected glyphG
FamilyGambarino
G

Uppercase

26 glyphs shown

Lowercase

26 glyphs shown

Numbers

10 glyphs shown

Punctuation

26 glyphs shown

Layouts

Editorial compositions

Headline

Analyze your weakness

Editorial

All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.

Columns

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

Details

Family metadata

Date added

Mar 12, 2021

Last updated

Unknown

Family views

10407

Recent views

712

Font tags

BooksEditorialMagazinesPosters

OpenType features

aaltcasefracligaloclordnsaltsups

Story

Gambarino is a condensed, single-weight serif face for headlines. The font is designed by Théo Guillard. Stylistically, you could call it a post-modern interpretation of the Garalde genre. Gambarino is different enough from most serif typefaces designed for text that you could combine it with another Garalde easily; that other font would set the body text, while Gambarino would shine in the headlines. Gambarino’s serifs are exquisitely fine; they are paired with teardrop terminals, such as on the ‘a’, ‘f’, and ‘y’. The capital letters are top-heavy; the bowls and counterforms in the upper portions of each letter are larger than the lower ones. This is visible, especially, in the letters ‘B’, ‘E’, ‘F’, ‘P’, and ‘R’. The trait is not quite carried on into the lowercase, but the design of the ‘a’ really harmonises with these unique capital letters anyway. Gambarino’s lowercase features a tall x-height, and what can only be described as ‘microscopic’ descenders. The descenders are all much shorter than the font’s ascenders, and this is visible everywhere except in the ‘g’, which employs a great trick in its design to keep the sizes of its two bowls balanced.

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