Bonny
Designed by Barbara Bigosinska
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
6 Styles
Thin
Roman instance
Light
Roman instance
Regular
Roman instance
Medium
Roman instance
Bold
Roman instance
Variable
Roman instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
5505
Recent views
333
Font tags
OpenType features
Story
Bonny is a family of decorative serif fonts, designed for display typography. The letterforms are very condensed. They also contain a lot of stroke-contrast. Bonny’s thin strokes often terminate in flourishes; these flourishes pair well with the typeface’s serifs, which are both thin and short. Bonny’s uppercase letters are very top-heavy; the upper halves of ‘B’, ‘E’, ‘F’, ‘H’, ‘K’, ‘M’, ‘R’, ‘S’, and ‘X’ are so large that they look almost like caricatures. This feature is carried over the some of the lowercase letters, too. For example, Bonny’s ‘a’, ‘c’, ‘f’, ‘g’, ‘k’, ‘r’, ‘s’, ‘t’, ‘y’, and ‘z’ are all extravagant and lovely. The ‘v’ and ‘w’ have calligraphic flourishes on their right-hand sides; similar expressions appear throughout rest of the the typeface, too. Each font includes 13 f-ligatures. An alternate ‘j’ may be automatically substituted into text, via the Contextual Alternates feature, preventing collisions with glyphs coming before it. The fonts’ numerals are oldstyle figures, which match the rhythm of the lowercase letters. From the Polish type designer Barbara Bigosinska, Bonny is an excellent choice for use on greeting cards and in packaging design. Its fonts should be set in large point sizes, so that its details have enough space to really shine.
Related fonts