Gambetta
Designed by Paul Troppmar
Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.
Styles
12 Styles
Light
Roman instance
Light Italic
Italic instance
Regular
Roman instance
Italic
Italic instance
Medium
Roman instance
Medium Italic
Italic instance
Semibold
Roman instance
Semibold Italic
Italic instance
Bold
Roman instance
Bold Italic
Italic instance
Variable
Roman instance
Variable Italic
Italic instance
Glyphs
Character preview
Uppercase
26 glyphs shown
Lowercase
26 glyphs shown
Numbers
10 glyphs shown
Punctuation
26 glyphs shown
Layouts
Editorial compositions
Headline
Analyze your weakness
Editorial
All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.
Columns
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.
Details
Family metadata
Date added
Mar 12, 2021
Last updated
Unknown
Family views
11128
Recent views
771
Font tags
OpenType features
Story
Gambetta is a family of serif fonts designed for use in text. Its ten styles are spread across five weights, ranging from Light to Bold; each weight has an upright and a companion italic font on offer. Gambetta’s letterforms are drawn with diagonal stress, and they letters have visible contrast, too. The degree of contrast that is visible increases with every weight in the family. Several of the terminals on the strokes of Gambetta’s letterforms feature very prominent wedge-shapes. In the upright fonts’ uppercase, every vertical terminal has been designed with one of these ‘wedge terminals’. These have been left off of other letterforms, judiciously. For example, the lowercase ‘a’ in the upright fonts don’t have a top-left terminal. This decision results in ‘a’ counterforms that are quite open. The numerals in Gambetta are proportional lining figures; the top of the ‘3’ is very distinctive, as it is flat. The numeral height is slightly lower than that of the uppercase letters; the lowercase ascenders, in turn, are taller than the capitals. In Gambetta’s italic fonts, the lowercase ‘g’ is double-storey, while the ‘a’ is single-storey. The ear on the ‘g’ is a prominent diagonal stroke, and the top-right part of the ‘k’ is an open loop. Gambetta is intended for use in book design and in editorial design; the fonts come from Paul Troppmar.
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