12 styles
Variable
SerifIndian Type FoundryITF FFL

Gambetta

Designed by Paul Troppmar

Fontshare family specimen rebuilt inside the Visualmodo toolkit, with the same large-format browsing approach used for Google Fonts detail pages.

Library

Fontshare

Publisher

Indian Type Foundry

Script

latin

Axes

2

Styles

12 Styles

Variable Yes
Axes 2
License ITF FFL
Recent views 771

Light

Roman instance

Light

Light Italic

Italic instance

Light Italic

Regular

Roman instance

Regular

Italic

Italic instance

Italic

Medium

Roman instance

Medium

Medium Italic

Italic instance

Medium Italic

Semibold

Roman instance

Semibold

Semibold Italic

Italic instance

Semibold Italic

Bold

Roman instance

Bold

Bold Italic

Italic instance

Bold Italic

Variable

Roman instance

Variable

Variable Italic

Italic instance

Variable Italic

Glyphs

Character preview

Selected glyphG
FamilyGambetta
G

Uppercase

26 glyphs shown

Lowercase

26 glyphs shown

Numbers

10 glyphs shown

Punctuation

26 glyphs shown

Layouts

Editorial compositions

Headline

Analyze your weakness

Editorial

All the world's a stage and all the men and women merely players. They have their exits and their entrances; and one man in his time plays many parts.

Columns

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

In the year 2250, humanity had reached new heights in technological advancements. Colonizing other planets had become a norm, and intergalactic travel was commonplace.

Details

Family metadata

Date added

Mar 12, 2021

Last updated

Unknown

Family views

11128

Recent views

771

Font tags

BooksMagazinesNewspapersText

OpenType features

aaltcaseccmpfracligaloclordnsaltsups

Story

Gambetta is a family of serif fonts designed for use in text. Its ten styles are spread across five weights, ranging from Light to Bold; each weight has an upright and a companion italic font on offer. Gambetta’s letterforms are drawn with diagonal stress, and they letters have visible contrast, too. The degree of contrast that is visible increases with every weight in the family. Several of the terminals on the strokes of Gambetta’s letterforms feature very prominent wedge-shapes. In the upright fonts’ uppercase, every vertical terminal has been designed with one of these ‘wedge terminals’. These have been left off of other letterforms, judiciously. For example, the lowercase ‘a’ in the upright fonts don’t have a top-left terminal. This decision results in ‘a’ counterforms that are quite open. The numerals in Gambetta are proportional lining figures; the top of the ‘3’ is very distinctive, as it is flat. The numeral height is slightly lower than that of the uppercase letters; the lowercase ascenders, in turn, are taller than the capitals. In Gambetta’s italic fonts, the lowercase ‘g’ is double-storey, while the ‘a’ is single-storey. The ear on the ‘g’ is a prominent diagonal stroke, and the top-right part of the ‘k’ is an open loop. Gambetta is intended for use in book design and in editorial design; the fonts come from Paul Troppmar.

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